I realized quite late the extent of this field; the emotional states of being it can express, the words it can give to gestures, and, above all, the human vulnerability revealed behind the idealized image of dancers. Since then, I’ve been caught between the search for an ideal dancing body, and the desire of letting go through breathless gestures. Since then, I keep trying to stage the bodies of others, to create a body group by composing with balances, flexibilities and corporal limits. Bodies become statues in photo studios, as movements are frozen by a strange sharpness, while only a fleeting blur is sometimes seized. This way, I keep staging a personal research, as well as professional collaborations with various artists and dancers. It is under the influence of Maguy Marin staging the fragility of "malhabilitated bodies that still stand upright", Ohad Naharin researching a dance for all, and the visual and corporal composition of Damien Jalet, that I explore praise and vulnerability, stillness and mobility, singularity and collectivity, meticulously and spontaneity... Furthermore, the possibilities of multiple bodies, dances and images.